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	<title>Comments on: John Hewitt&#8217;s Writing Tips: Read it out loud</title>
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	<link>http://www.poewar.com/john-hewitt%e2%80%99s-writing-tips-read-it-out-loud/</link>
	<description>Writing Career Center</description>
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		<title>By: David Bowman</title>
		<link>http://www.poewar.com/john-hewitt%e2%80%99s-writing-tips-read-it-out-loud/comment-page-1/#comment-143997</link>
		<dc:creator>David Bowman</dc:creator>
		<pubDate>Tue, 01 Jan 2008 01:09:10 +0000</pubDate>
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		<description>Even as editors, we follow this strategy for all types of documents. Not only does this help us to hear the flow and clarity of the language for editing purposes, it also helps in the proofreading process because it forces us to concentrate on every word and punctuation mark.

Thanks for providing this great tip.</description>
		<content:encoded><![CDATA[<p>Even as editors, we follow this strategy for all types of documents. Not only does this help us to hear the flow and clarity of the language for editing purposes, it also helps in the proofreading process because it forces us to concentrate on every word and punctuation mark.</p>
<p>Thanks for providing this great tip.</p>
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		<title>By: Richard</title>
		<link>http://www.poewar.com/john-hewitt%e2%80%99s-writing-tips-read-it-out-loud/comment-page-1/#comment-5256</link>
		<dc:creator>Richard</dc:creator>
		<pubDate>Sat, 14 Jan 2006 18:11:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.poewar.com/archives/2005/12/10/john-hewitt%e2%80%99s-writing-tips-read-it-out-loud/#comment-5256</guid>
		<description>Great advice!  I have a television background, so it never occured to me NOT to read (especially dialogue) out loud.  My books are Civil War novels and I do a great deal of research and I went to hear David Herbert Donald (foremost Lincoln expert) speak at the Carter Center one night and he -- writing
 nonfiction -- does the same thing.  Reviewers have complimented me on my dialogue skills.  It&#039;s not as easy as it might seem and bad dialogue can ruin an otherwise good book.
Another problem is TOO MUCH dialogue.  Professional editors HATE dialogue because so many people use it as a crutch.  Minimize it -- and read it out loud.  Editors will love you for it!</description>
		<content:encoded><![CDATA[<p>Great advice!  I have a television background, so it never occured to me NOT to read (especially dialogue) out loud.  My books are Civil War novels and I do a great deal of research and I went to hear David Herbert Donald (foremost Lincoln expert) speak at the Carter Center one night and he &#8212; writing<br />
 nonfiction &#8212; does the same thing.  Reviewers have complimented me on my dialogue skills.  It&#8217;s not as easy as it might seem and bad dialogue can ruin an otherwise good book.<br />
Another problem is TOO MUCH dialogue.  Professional editors HATE dialogue because so many people use it as a crutch.  Minimize it &#8212; and read it out loud.  Editors will love you for it!</p>
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		<title>By: melinda cherry</title>
		<link>http://www.poewar.com/john-hewitt%e2%80%99s-writing-tips-read-it-out-loud/comment-page-1/#comment-2716</link>
		<dc:creator>melinda cherry</dc:creator>
		<pubDate>Sun, 11 Dec 2005 18:12:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.poewar.com/archives/2005/12/10/john-hewitt%e2%80%99s-writing-tips-read-it-out-loud/#comment-2716</guid>
		<description>
I have primarily been an actor but I do have experience in writing
and directing.  The &quot;read through&quot; is the 1st step of production after
casting.  Obviously, in casting, the director must heavily weigh an
actor&#039;s intonation, dialog, ect.  On the stage you can see facial
expressions and many times the face is not supposed to match the
dialog. Since the writer&#039;s audiance does not have the ability to
&quot;see&quot;, the writer must be able to convey the same thing through 
words.  I think your suggestion of reading out loud is brilliant 
in it&#039;s significance and simplicity.  Excellent. </description>
		<content:encoded><![CDATA[<p>I have primarily been an actor but I do have experience in writing<br />
and directing.  The &#8220;read through&#8221; is the 1st step of production after<br />
casting.  Obviously, in casting, the director must heavily weigh an<br />
actor&#8217;s intonation, dialog, ect.  On the stage you can see facial<br />
expressions and many times the face is not supposed to match the<br />
dialog. Since the writer&#8217;s audiance does not have the ability to<br />
&#8220;see&#8221;, the writer must be able to convey the same thing through<br />
words.  I think your suggestion of reading out loud is brilliant<br />
in it&#8217;s significance and simplicity.  Excellent.</p>
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